Winter sucks, especially here in Ontario where you can get all types of precipitation in one day. The worst is when you get sick like I did. Caught this weird virus that I thought was just a regular cold until it warped into a crazy one. Never in my life have I experienced something like this, along with all the typical symptoms my skin hurt and my hands would go numb to the point where I couldn’t even press buttons on my android. After nearly two weeks I’m finally back at full health, the photos from the first show of the new year Thursday January 8th, turned out alright. I hoped for better but with the ghetto lighting for the first two bands I did okay. Strobes look cool but are not fun to shoot in, nor is red lighting. At least the headliners had wicked lighting, they were the best shots of the night hands down!
This show was a bittersweet experience for me personally, it was the first of 2015 but the last show I will ever cover and see at the Kool Haus. For over thirty years with a few incarnations The Guvernment Entertainment Complex has been a mecca for entertainment in Toronto. It is globally known as one of the largest and longest running clubs in Canada. The complex houses a number of venues like The Kool Haus, Skybar, Chroma (means colour in Greek) aka “The Orange Room” where Deadmaus and quite a few other DJ’s got their start. Many international artists have graced the stage at the well known live venue, The Kool Haus formerly “The Warehouse” and “RPM”. Sadly on the 31st of January after 18 years of music, dancing and mayhem, the massive complex will be closing its doors for good. The Guvernment was the first club I went to as an underage youth exploring the club scene, always had a fantastic time! I believe my father even bounced their doors at some point during the glory days in the nineties.
My siblings and I saw and met many artists like “Nsync”, “Pink”, “Evanescence” and so many more at the Kool Haus. As I got older before the journalist days, I did background work in many films shot at the venue, attended exclusive events, sales, parties, raves, had many backstage wanderings and got lost a few times in the maze of rooms, the Guv is always a fun place to explore. Once upon a time at the Kool Haus I left my backpack with “friends”, who didn’t want to leave the general admission line to actually meet the band. We skipped school to see the band, might as well make the best of it right? When I returned from hanging with the band to grab my backpack, I noticed that some teenie robbed the drawings from inside my bag! Days and nights, hours and hours of sketching and painting gone. Fuming, yet at the same time flattered that my artwork was awesome enough to swipe. To this day I still wonder, why on earth would anyone want to steal Sailor Moon and random school drawings in the first place? Good thing I wasn’t stupid enough to leave my purse because I never saw my artwork again! After all of that drama, at least I chilled with the band before and after the show.
The Guvernment has been for many Torontonians a crutch, it would always be there in our minds. But, as the unnecessary condo communities grow, our music culture in Toronto is being demolished, one venue at a time. Out of all of my adventure spots, I will definitely miss this place the most! Even more so than when the Big Bop complex closed it’s doors. Okay, enough depressing jibbers of what is eminent, let’s get to the music. First up on stage was “The Butcher Babies“, these gorgeous ladies and lads were the whole reason I chose this show as the first of 2015! Major thanks to their team for hooking a girl up! Having heard so many good things about The Butcher Babies, I had to see them live for myself. The minute I wandered into the pit the lights dimmed and the band hit the stage, I made it just in time! Tried as fast as I could to find the best non flash settings in my camera for the lighting, we only had three songs. Right out the gate they embraced the stage with vibrance and charisma, Heidi and Carla did an amazing job entertaining the crowd! The ladies went right up in there, singing from the barricades almost in the crowd. At times the crowd looked like they were going to swallow front woman Heidi Shepherd but security had her back. The mostly male audience was getting wild, I’m glad that I didn’t see any inappropriate groping of these fearless females…Then again, I wasn’t in the pit for the whole set.
During the last show of 2014, I felt like a fun-sized Fridae trying to film behind this WNBA sized femme who was in front of me for the entire set. This time, it was I who felt like Andre the Giant’s daughter when Vox – Carla Harvey ran past me to get back on the stage, she is so tiny! They kicked off their eight track set with intro “The George Takei song” followed by “I Smell A Massacre” and continued to rock out with their blend of New school metal. The sound was the best of the night and the crowd was having a fantastic time, especially when they rocked their big tunes “Mr. Slowdeath” and “Magnolia Blvd”. If you get the chance to see California’s Butcher Babies, go for it! I could actually understand what they we’re singing! Diction is the most common issue for metal bands live but these femmes had it on lock! Bassist Jason Klein and Guitarist Henry Flury used the stage and kept the music on point! The beats were always tight thanks to stick handler Chris Warner. Throughly impressed with The Butcher Babies, looking forward to covering them again in the future.
Hatebreed has always been one of those elusive bands I always missed at festivals and finally had the chance to shoot and absorb a set. Their lighting was the worst of the night and it shows in my shots, everyone was drowning in red lighting! At least the band sounded good, that was the last thing I needed, a shitty metal band in my ears for the next forty-five minutes or so! Thankfully that was not the problem with Hatebreed, surprisingly I enjoyed their fourteen track set very much. The crowd was singing along to the mix of old and new tracks played in the fourteen track set.
They rocked tunes like “This Is Now”, “Live For This”, “Doomsayer” and a few more of the classics…Not a big fan of the band, but am familiar with a few tunes thanks to an almost boyfriend. Hatebreed is one of those bands that has changed up members a few times. The current line up is: Jamey Jasta – Vox, Chris Beattie – Bass, Wayne Lozinak – Guitar, Matt Byrne – Drums and Frank Novinec – Guitar. The lighting was too boo and it was getting harder to shoot the band. The bodies were starting to fly more often and all the photographers who missed the Butcher Babies were trying to make up for it. Would I see Hatebreed again? Yes, would love to! They could use some more energy and crowd interaction but they held their own, that’s for sure!
The last band of the night was Black Label Society who I thought would never hit the stage. How long does it take to put up a curtain? Apparently, half an hour and six stage hands! Oh and let’s not forget they wouldn’t let us into the pit until after the curtain dropped and was put away…That took what felt like an hour and a half, we only had three songs. Due to the delay in rotation at this event, I could only reach one of the other two scheduled for that night. My phone was dying, so I plugged it into the smartest thing I bought this year thus far, a portable phone charger for $14.99 from The Source! Just as I pulled the battery from my phone, the band began to play and the curtain dropped, we finally were able to enter the media pit.
The set intro was “Whole Lotta Sabbath” followed by “The Beginning…At Last” which could not have been more ironic. As for vocals, the mic stand with a bunch of skulls was cool, but I couldn’t hear shit in the pit. I focused on the only instrument I could hear, the Lead Guitar. The sound of a seasoned guitarists fluid skills unfolding, is always a treat for my ears. Honestly, it did not matter that I couldn’t hear any vox at this point, my ears were too busy enjoying Zakk Wylde’s intoxicating electric axemastery. I’ve seen Black Label Society briefly once before, but only caught the last few songs of the set. The band has had a few member changes but two originals remain, founder Zakk Wylde – Piano/Vox/Lead Axe/Rhythm Guitar and Bassist/Backup Vox – John DeServio. The other members in the band are newbies Dario Lorina – Rhythm Guitar/Backup Vox and Jeff Fabb who was destroying that dragon skull drum kit.
It was awesome to see Wylde use different guitars for every song, especially the one that was stolen last year and found a few days after. The whole band was fun to watch because they were all feeling the music. My favorite of the night was, Bassist DeServio who was flying all over the stage, entertaining the crowd as some were flying into the pit. Security kept tapping us on our shoulder, which is the standard heads up for the incoming surfers. Didn’t have a chance to run away from the line of fire a few times and was smushed against the stage, as security pulled out crowd surfers. The lighting was perfect for this set, my camera loved shooting in these lights but as usual was being a diva with the reds. After the three media tunes I left the venue to hop in a cab and reach my next destination. Just as I wandered out the venue my friend called to tell me he was twenty minutes away. So I rewinded back inside to see a few tunes until my friend arrived.
Wandered back in the venue at the end of “Suicide Messiah” and new tune “My Dying Time” was played next. The crowd was even more into the show as it progressed, singing along to pretty much every tune played. A mix of hits with many from the latest record “Catacombs of the Black Vatican”. It was good to actually hear the vocals from the back of the venue, always the go to spot for the best sound.
In the end I actually got to watch and see most of the set but had to leave in the middle of “Angel Of Mercy” which sounded so good! Did not want to go just yet but I had other places to be, definitely need to watch a full set from Black Label Society in the near future. You should check them out, especially if you like hearing amazing guitar being played, Wylde’s guitar solo was epic. The newbs Lorina and Fabb killed it, they add more character and chemistry to the band. Thank you to everyone who helped make this first show of 2015 an unforgettable one! That includes the couple who were fighting before the BLS set and eventually escorted out of the Kool Haus by security. Adios Kool Haus, we had some amazing times! Will always be one of my favorite places to shoot incredible talent! Now this fabulously dangerous 18 year escapade is coming to an end. The memories will always be, but there will never be another venue like the Guvernment Entertainment Complex. You will be missed!
Last Monday December 8th, America’s first reality show musical group O-Town hit Lee’s palace in Toronto. First time across the border in ten years for their only Canadian stop on the reunion tour. Before American Idol existed and Puff Daddy took over Making The Band, there was O-Town. The last “Boy band” created by convicted con-man and alleged pedophile “Lou Pearlman” who is currently serving a 25 year prison sentence. You could probably find episodes of Making The Band’s first three seasons on YouTube. Unlike “The Backstreet Boys” or “N’Sync“, O-Town’s formulation was amidst Pearlman’s extreme legal issues. They didn’t even get the chance to sustain their momentum and stray from the boy band definition. The group released two albums and disappeared, until now!
Late August of this year, O-Town released their third record “Lines & Circles”. The first single off of the new record is “Skydive”, a fantastic mid tempo ballad that you can watch here. The current group is Jacob Underwood – Vox/Guitar, Trevor Penick – Vox, Erik-Michael Estrada – Vox and Dan Miller – Vox. The group once had five members, Ashley Parker Angel the fifth member did not want to partake in the reunion. But hey, that’s okay because from what I saw and heard, the quartet will do just fine without him! Never have I seen them live before, I was expecting the worst. I’ve covered or seen pretty much every musical group except “The Beatles”, “The Jackson Five”, “New Edition” and a few more because I was not born yet or old enough to migrate! Bypassing the fans waiting in line at Lee’s, I ran straight into the venue thinking I was late! It was five-thirtyish, the bands publicist told me my interview time was at 5pm. Turns out the band wasn’t there yet, I breathed easier, so glad that I made it on time.
Another media outlet was setting up their lighting across the room as I began unloading my gear. In the venue maybe five minutes before a guy walked over and introduced himself, his face looked familiar and the name Jacob rang a bell. One-fourth of the quartet and the business man of the band, which I later learned in my five second interview. Soon after the other interview began a blogger arrived to interview the group, adding to the time crunch. That pushed my interview back until she finished hers because mine was to be filmed, I didn’t mind for the time being. My priority was finding a plug to charge dead camera battery that was fully charged but somehow now dying…It was more than obvious that the Universe was being moody, something else was going to fuck up for sure.
When it was finally my turn, we were getting acquainted as I set up my tripod. Was being rushed to the point where I almost didn’t get the mic into their hands, nevermind check the audio levels! The guys were friendly and helpful, making suggestions on where I’d like them to be placed for the interview. After introductions I opened with “You guys are back! Why now?” Underwood answered with “Well, it was the right time for us, it has been difficult to get together in the past, with me living in Nashville and Dan being a father and all of our other projects. Now is the right time.” I can recall telling them their 2014 debut single “Skydive” was a good tune and asked if they were more hands on with this record? After thanking me for the compliment, they answered back with “yes” and a more in depth perspective that was lost amongst the static in the recording because my lip reading skills are not the greatest.
When I asked if they would do a reality show again, Dan was the most responsive, rapidly shaking his head “No”! We chatted about the difference of their first tour and this tour, at some point they were jibbering about visiting Niagara Falls (The big one is called Horseshoe Falls) before migrating to Toronto. Assuming it was their first time, judging by their excitement it sure sounded like it was. Niagara Falls Canada is the honeymoon capital of the world for a reason! The best time to see the falls is at night when they have the lights on, it looks too cool. Plus its fun to hit up a haunted house attraction and party there sometimes, on the Canadian side that is! Buffalo is ass! No offense Buffalo, I’m sure everyone notices how much it sucks compared to Canada’s Niagara and Toronto but, we are nothing compared to Manhattan. Oh yeah before I forget, single ladies…You are in luck! Three of the four are ready to mingle, as Jacob stated while he did the “call me” gesture on camera. They also chatted about their status during the show, playing the dating game theme song for shits and giggles.
It’s good to see them being responsible for their own careers. Underwood is basically the manager, handling most of the business, booking the gigs and apparently this is only the beginning, in 2015 we will be seeing a lot of O-Town! There you have it Townies, they will be heading back on tour, hitting a city near you in the future!Literally in four minutes that is all I was able to get. Not the interview I had envisioned…But tour manager Chris (I think that was his name) looked like he was going to have a nervous breakdown when he told me to wrap it up… I blame my tech issues on that half hour interview because they fucked up the whole rotation! So annoyed, I went straight to my generic wrap, pretty sure the band read the annoyance of being cut-off on my face. Now multiply that by seven and add a livid LeTawniyah on level ten. That’s how pissed off I was when I played back the interview to no sound, just static…Couldn’t even finish eating my poutine. Clearly, the Universe was not happy with the brief little snippet. And, after spending the last week trying to resurrect the audio from Monday’s interview, I finally gave up.
The opening act was “Todd Carey” American singer whose single “Nintendo” hit number one on the Billboard twitter charts. During one of the cover tunes, O-Town’s Jacob Underwood joined the stage to jam with Todd Carey and you can see how it all went down here. My ears were done after that, I had to find my ear plugs now! The sold out mostly female crowd was competing for the loudest scream, like Animals with the loudest mating call in the wild. Thankfully I was finally armed with ear plugs, they were my saving grace because that was only the beginning…Carey was good, a little too broadway and disingenuous for me but has potential, the fans were enjoying themselves. When Todd played his number one billboard twitter tune, my ears did not like that “Nintendo” song. The fans were screaming stuff like “Oh My Gawd, he’s soo cute” but not “I love this song” or any vulgar obscenities, that I heard anyway!
About twenty or so minutes after doors opened we heard a commotion near the parking lot around the corner. Photographer “D” made a sarcastic comment about how the group probably popped up to check the fans. His words rang true, the quartet ran to the front entrance along the crowd causing “Bandimonium” because most of the fans were still waiting to be let into the venue. It was pretty amusing to those of us watching this madness unfold. Apparently an older woman looked absolutely disgusted as she passed by. I was laughing, this was hilarious and obvious they still have an effect on Canadian females.
The set up was pretty basic, a computer played the instrumentals as the group kicked off their sold out set with the song that started it all, “Liquid Dreams”. At first I could not hear them over the shrill screams of five hundred or so grown ass women with a few boyfriends in tow and a couple of gays sprinkled in the mix. To be exact, two Queen’s dancing the night away in the middle of the venue like nobody was watching. Both myself and photog D, refused to even attempt shooting anywhere near the front of the stage. D was stage left, closer to the pit area and I just chilled on the steps by the sound booth, stage right. Was hoping to get decent footage without too many heads and hands…But of course the struggle was real, Andre the Giant’s daughter decided to wear stilettos and a messy bun to this concert…You can see her head bobbing all over my footage and she was standing below me…My weakness is filming in crowds without media pits! Wish I wore heels to make my 5’8 stature at least 5’11 or 6 feet and if only I could find a good spot to set up my tripod! Nowhere in the chaos was that possible.
They sang a mix of their new and old track’s, sounding absolutely tight without needing any live auto-tune! The performance shocked me actually, because my ears were liking all of their voices and that is rare when it comes to vocal groups. The only ones able to accomplish that thus far were “Boyz II Men” who are impeccable live, watch them for yourself on FridaeTV Youtube. As for The Backstreet Boys; my ears don’t really like Howie D’s vocals, N’Sync; JC’s vocals were the strongest, did not like the rest especially Chris’s tone. Occasionally Justin’s vocals were tolerable, the nasal whine in his falsetto still bothers my ears to this day. New Kids weren’t really known as a vocal group and 98 Degrees doesn’t even make the list! My ears don’t like any of their voices and they are so boring on stage. Saw them live when I was a youngin, it was the first time I was attacked by fans, all because one of the Larries handed me a rose. Never went to another 98 Degrees show or saw the rose again because the teenies yanked it out of my hand.
Right out the gate, O-Town could have done anything and sounded like shit, yet the fans still would have eaten it up. A great example was when Jacob decided to try something new where he threw and caught his mic during the hit tune “All Or Nothing”. My reaction to the little trick was similar to Trevor and Dan’s but the fans loved every second! You can watch that big tune unfold here. At least he tried it and in the end it worked out for him.
Toronto embraced O-Town with open arms, except for this douche behind me who kept yelling “You suck, you fucking suck!” during an acoustic performance of a song they’ve never done live before. It was a little rough as expected for a first attempt, it was a lot better than many “Rock Bands” have done on the fly. That man was aggravating LeTawniyah, lucky for him he disappeared before she was unleashed. The crowd was entertained without the bells and whistles of a huge production. O-Town’s talent and personalities we’re more than enough for the fans in Toronto. Next time, hit up the Phoenix where there is ample room for more fans and stage tricks ha ha.
My ears did not mind a few of the newer tunes like “Lines & Circles” and “Rewind”. Those songs stood out after briefly listening to the latest record and hearing them live. O-Town has been trying to gain respect in the industry, working hard to find a place in the world of today’s music as legit musicians. Is it possible for them to gain momentum in an era where everything is over processed and manufactured? I believe these indie underdogs of pop could slowly climb to the top! Ashley who? Keep practicing, writing and always remember what Drake says; “Started from the bottom now the whole team fucking here!” O-Town is Fridae approved, if you get the chance, go see their brand of non-autotuned musical infusions. Muchas gracias to D for assisting me in shooting the set, publicist Matt for all his help. And of course thanks to O-Town for taking a few minutes to chat, it was great to meet you guys! Reach out and I’ll see ya’ll in 2015, we need a new interview! Enjoy the holidays everyone and don’t forget to grab your copy of O-Town’s newest album “Lines & Circles” here in the US and here in Canada.
Indie week 2014 happened back in October notice the visual editorials already published. This chick is not one to give up easy, had some tech issues that were solved and then a big project landed on my lap from one of my international clients. These past few months too many job offers and have been turning down almost everyone, dedicating my focus on my record and the new FridaeTV 2.0. Enough with the excuses right? Here we go, the rest of this jibber is all “aboot” the bands haha! Normally, I filter the bands for quality, however, due to tech issues some of the bands were not recovered. We can thank the universe for filtering the bands this time…Still, I would have liked the option to choose them myself. Thankfully the FridaeTV visual team shot a few bands I wanted to tell you about.
It was good to see familiar faces I haven’t seen in a while including a few Montreal & American friends. Ya’ll are too fantastik! Wish I caught more bands and saw more amazing people I didn’t get a chance to hang with! Festivals are a multiple venue migration for the media. We have to work during and after, people don’t realize editing and writing are the most time consuming and least favorite aspects of multimedia. Okay, let’s get with the program! British band New City Kings were the first band I caught at Indie Week 2014, it was not the first time I have seen them and it sure as hell won’t be the last! They put on such a vibrant performance, always genuine and not forced as it is with some bands I have observed. The passion is missing in today’s music, the majors are dying out and more than ever focused on selling product, not art. New City Kings definitely feel their music and everyone needs to check them out! Enjoy a few shots thanks to FridaeTV photographer Joanna and a tune I filmed below.
Next up was last year’s Indie Week Canada winners, Toronto’s Sumo Cyco. They hit the stage at the Hideout after New City Kings for the opening night launch party. For a while now I’ve wanted to see this band live, when they rocked indie week last year I always missed the bands set but finally mission accomplished. The band is a new school metal punk blend, vocals are different and much more aggressive than most are use to from former Canadian poptart “Skye Sweetnam” who fronts the group. It is rare to find female fronted bands that kick ass, Skye did a pretty fantastik job holding down the boys and putting on a show for people to talk about. I remember my photographer Joanna commenting on seeing Sweetnam before but this suited her much better, I agree!! Go see “Sumo Cyco” if you get the chance!
The next few that survived the Universe’s cuts were rocking the Hard Rock Cafe on Friday October 17th! First up was Laugh At The Fakes a local band who I had yet to see live, of course I was running late thanks to the always delayed subway. Hoping to catch at least one song, when I arrived at the venue I was praying they were still on stage and they were. Managed to catch the last few tunes, which were surprisingly well done. A little more confidence is needed from vox and guitarist Everett Mason, he has the skills, just needs to overcome the nerves because the guitar he was rocking sounded amazing and the vocals have extreme potential. Always trust your talents, they will guide you and all you need to do is believe in yourself as you refine them! Laugh At The Fakes has a bright future ahead of them and everyone should go see a set to see what I’m talking about.
The headliner at the Hard Rock Indie Week Metal showcase was no stranger to the stage, former Iron Maiden frontman Blaze Bailey rocked out with his band. It was interesting to observe his interaction with the fans, they were a bit aggressive and so into it. I’m surprised a mosh pit wasn’t formed, then again they were too busy trying to touch Bailey like teenies do for their favorite artist, fanboys! Bailey’s vocals are unique yet he is the epitome of old school metal, clearly there is a reason he fronted Iron Maiden. The band was crisp, professional and entertaining but the crowd just focused on Blaze Bailey. Once I got the best shots I could in the always horrible hard rock lighting, I migrated to safety at the back watching the enthusiasm of the performer and the crowd. It was a cool set, if you love metal and get the chance, go see for yourself.
The last few bands I managed to recover we’re The Rathburns and Dick Rodan at the Virgin Mobile MOD club for the best of the fest, the Indie Week finals! Was not able to recover many photos of Dick Rodan but for a country band they did pretty well! The crowd was loving them and it was obvious who the Dick fans were…They kept chanting “We want Dick! We want Dick!” as the band was setting up their gear, yes it sounded funnier than it’s read. They put on a very high energy performance thanks to their super drunk guitarist jumping and playing in the crowd giving people a set to remember.
Soon after Dick, The Rathburns hit the stage, did not recover any of the videos from this night just a few photos that I shot. Thankfully photog Kenny caught them the night before at the Hideout and got more photos. I want everyone to remember the Rathburns because one day they’re going to be huge. Vocals need a little work and the rest of the band needs to step up a bit but frontwoman Frances Rose does a spectacular job embodying her music. She has a special energy and can take this band to the next level with a bit more polishing. Check every single band mentioned and covered in this four part Indie Week series. The only issues other than the 500 wristbands was that my photographer had trouble returning to a venue after brief migration to shoot the bands she was required. All festivals have this same issue when it comes to media at festivals, we must have access to get the most coverage possible. Until next year my friends keep it rocking and who knows maybe I’ll hit up Indie Week Europe in Manchester!
Toronto’s female fronted punk rockers Die Mannequin released their third studio album Neon Zero today! They will be celebrating tonight at Cherry Colas where Tony and Care will be spinning their favorite tracks off of the new record. Since receiving this album back in August, I have been listening to it every chance possible and I’m so glad I did! Opening track “Welcome To The Badlands” sets the tone for this musical journey, collectively modern yet retro with an anthemic feel. Their strong first single “Sucker Punch” was an instant ear pleaser, if you haven’t heard it yet I suggest you take a listen and don’t forget to get your copy of Neon Zero. There were a few songs on this record like “Blood In Blood Out” and “Pretty Persuasion” that I skipped at first listen. Had I not absorbed the records tunes entirely, they wouldn’t have grown on me as they have. Now, “Pretty Persuasion” is one of my favourites, I love the sound of the guitar riffs, they give the track this haunted vibe my ears are drawn to. “Murder On the Dancefloor” is another catchy tune that is worth a listen, compared to their previous records this is the most radio friendly I have heard DM. Quite surprised to tell you the truth but it turned out to be a pretty fucking fantastic surprise!
Photo By: Fridae Mattas
They have created a vibe that reminds you of 80’s music with a slice of Hip Hop, 90’s, Punk, Grunge and Dance. You can hear all of those influences in there. One track in particular “Girls At the Mall”, reminds me so much of Veruca Salt’s “Volcano Girls” with a little Nirvana to end the track. Very impressed with vocals, major props go out to Care for showcasing her vocal versatility, keep up the amazing work! The band sounded tight, the quality of sound in the production of each sonata is crisp and proper, no ghetto recordings here. “Prettier lips tell prettier lies” from the last tune, “Outta Time” on this eleven track musical adventure is one of my favourite lyrics. I also loved the randomness at the end of the fast paced “Ka-Ching” with the bonus. There are a few tunes like “I’m Just A Girl” that I just couldn’t get into. I tried, and I commend vocals, but the tune itself was a little too Avril Lavignesque for my ears to handle. Neon Zero is worth many listens, from the first time I saw Die Mannequ
bells and whistles of a huge production. O-Town’s talent and personalities we’re more than enough for the fans in Toronto. Next time, hit up the Phoenix where there is ample room for more fans and stage tricks ha ha.
