DIE MANNEQUIN – NEON ZERO – FEATURE ALBUM REVIEW

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NEONZEROCVR

DIE MANNEQUIN

NEON ZERO

FEATURE ALBUM REVIEW

 

By: Fridae Mattas

 

Toronto’s female fronted punk rockers Die Mannequin released their third studio album Neon Zero today! They will be celebrating tonight at Cherry Colas where Tony and Care will be spinning their favorite tracks off of the new record. Since receiving this album back in August, I have been listening to it every chance possible and I’m so glad I did! Opening track “Welcome To The Badlands” sets the tone for this musical journey, collectively modern yet retro with an anthemic feel. Their strong first single “Sucker Punch” was an instant ear pleaser, if you haven’t heard it yet I suggest you take a listen and don’t forget to get your copy of Neon Zero. There were a few songs on this record like “Blood In Blood Out” and  “Pretty Persuasion” that I skipped at first listen. Had I not absorbed the records tunes entirely, they wouldn’t have grown on me as they have. Now, “Pretty Persuasion” is one of my favourites, I love the sound of the guitar riffs, they give the track this haunted vibe my ears are drawn to. “Murder On the Dancefloor” is another catchy tune that is worth a listen, compared to their previous records this is the most radio friendly I have heard DM. Quite surprised to tell you the truth but it turned out to be a pretty fucking fantastic surprise!

DIE MANNEQUIN - LIVE @ PRIDE TORONTO 2012
Photo By: Fridae Mattas

They have created a vibe that reminds you of 80’s music with a slice of Hip Hop, 90’s, Punk, Grunge and Dance. You can hear all of those influences in there. One track in particular “Girls At the Mall”, reminds me so much of Veruca Salt’s “Volcano Girls” with a little Nirvana to end the track. Very impressed with vocals, major props go out to Care for showcasing her vocal versatility, keep up the amazing work! The band sounded tight, the quality of sound in the production of each sonata is crisp and proper, no ghetto recordings here. “Prettier lips tell prettier lies” from the last tune, “Outta Time” on this eleven track musical adventure is one of my favourite lyrics. I also loved the randomness at the end of the fast paced “Ka-Ching” with the bonus. There are a few tunes like “I’m Just A Girl” that I just couldn’t get into. I tried, and I commend vocals, but the tune itself was a little too Avril Lavignesque for my ears to handle. Neon Zero is worth many listens, from the first time I saw Die Mannequin rock out at the Horseshoe to this album here in 2014 they have come a very long way and I’m liking this new direction. The nicest people you’ll ever encounter, and so beyond talented! Die Mannequin is; Care Failure – Vocals/Guitar, Anthony Bleed – Bass/Backing vocals, Stacy Stray – Guitar/Backing vocals and Dazzer Scott on the Drums. NEON ZERO is an essential listening need! Everyone needs to buy this record and support these great Canadian talents, Die Mannequin’s Neon Zero gets 4 music notes ♪♪♪♪ out of 5!  

COPYRIGHT © 2014 FRIDAE MATTAS. All Rights Reserved

 DMTC

VISUAL FEATURE EDITORIAL: BLACK DAHLIA MURDER WITH SUICIDE SILENCE LIVE @ THE OPERA HOUSE

BLACK DAHLIA MURDER LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETV
ALL PHOTOGRAPHY BY: JOANNA GLEZAKOS FOR FRIDAETV

BLACK DAHLIA MURDER

WITH SUICIDE SILENCE

LIVE @ THE OPERA HOUSE

VISUAL FEATURE EDITORIAL

 

 

All Photography By: Joanna Glezakos

SUICIDE SILENCE

SUICIDE SILENCE LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVSUICIDE SILENCE LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVSUICIDE SILENCE LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVSUICIDE SILENCE LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETV

 

BLACK DAHLIA MURDER

BLACK DAHLIA MURDER LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVBLACK DAHLIA MURDER LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVBLACK DAHLIA MURDER LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETVBLACK DAHLIA MURDER LIVE @ THE OPERA HOUSE TORONTO - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAETV
COPYRIGHT © 2014 Joanna Glezakos. All Rights Reserved

LACUNA COIL WITH INCURA AND STARSET – LIVE IN TORONTO FEATURE EDITORIAL

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LACUNA COIL LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014
Photo By: Fridae Mattas

LACUNA COIL

WITH INCURA AND STARSET

LIVE IN TORONTO 2014

FEATURE EDITORIAL

 

 

Written By: Fridae Mattas

Photography By: Fridae Mattas

Additional Photo Credits: Joanna Glezakos

 STARSET LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

Words are flowing with ease because now I can breathe and actually focus on writing this editorial. The photos I shot were lost and I was trying to recover them somehow, finally mission is accomplished and they’re all edited. I was very happy that long time FridaeTV photographer Joanna made it to shoot a bit of the last two sets. There was to be four bands on the bill but apparently “Devil You Know” had some car troubles and did not make it to Toronto for the set. Was looking forward to seeing them perform but shit happens! Before we get into the meaty part of the editorial I must say if you don’t know who Lacuna Coil is I suggest you listen to a few tunes and then come back to read the rest of this review.

CROWD @ THE OPERA HOUSE MONDAY SEPT 28TH 2014INCURA LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

The first band on stage at The Opera House was Incura originally from Alberta and now transplanted to Vancouver. The band was support for the Canadian leg of the tour and I was so glad I made it to catch their set! Last time I saw Incura rock out was at Canadian Music week…I think? Who knows I could be lying, it’s been a while! Regardless, I don’t get tired of watching them play their hearts out on stage. I wish the Opera House would add some front lighting and not just backlighting always drowning out the performers.INCTINCURA LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

It’s always a challenge to shoot at that venue but at least there was a barricade and mini pit to shoot from, very rare for the Opera House. Kyle Gruninger is the epitome of what a lead vocalist is, he actually sings the bands original material without all the bells and whistles and performs each track like it’s the last song he will sing…One day, they will be rocking arenas! They had an extended set due to the transportation issues of “Devil You Know” leaving a gap in the line up. The crowd didn’t seem to mind at all, I recognized quite a few tunes “Get The Gun”, “Who You Are”, “Greatest Con” and a few more. The other members in the band are: Phil Gardner – Drums, Jim McLaren – Keys, Jono Olson – Bass and Gatlin Fitzgerald – Lead Guitar. The band was extremely entertaining, every set is better than the last but some improvements still need to be made. McLaren on the Keys needs to be a little more vibrant, he looked bored some of the time and not that into the tunes. I cannot wait to see the next phase of progress for Incura.

INCURA LIVE @ THE OPERA HOUSE SEPT 28TH 2014 TORONTO - Photo By: Fridae MattasINCURA LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

Up next was a fresh band for me, Starset from Columbus, Ohio. I was the only one shooting the first two bands and didn’t know what to think when the band emerged on stage with lit space helmets on their head and rocking in black tights. The only one not in costume was lead vox Dustin Bates, the rest of the band Ron DeChant, Adam Gilbert and Brock Richards were glowing.

STARSET LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014STARSET LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014Starset were very fun to shoot and easy on the ears, I was really liking their tunes especially the catchy single “My Demons” from their debut record “Transmissions”. I will definitely need to check out the full record. The only thing I can think of that this band needs to fix is visual, they had this giant screen with the bands logo on it beside the keyboard. It did look cool for a minute but then got in the way, you could barely see the drummer or the vocalist when he was standing behind it. The music was good, a little much on the electrification of the vocals but I thoroughly enjoyed this band and will hit up another set if they reach Toronto again. 

STARSET LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014STARSET LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014 By: Fridae Mattas

Continuing the trend of not dragging this on let’s chat about the headliners, before there was Evanescence, Lacuna Coil brought the goth metal melodies and vocals back in the early nineties. The one and only Italian GodFathers of Goth Rock Lacuna Coil has had some mild success, I’ve heard the bands music for a long time and when I found out they were hitting Toronto, had to cover them! There are many bands out there that deserve much more success and exposure than the current crop of shitterific mainstream entertainment. All of the bands on this Broken Crown Halo tour are part of group “A” the fantastic bands that should be heard. 

LACUNA COIL LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014LACUNA COIL LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

Over the years Lacuna Coil has gained quite a loyal fanbase and not just in Europe, these talented Italianos from Milano have made a name for themselves across the globe. The band is: Cristina Scabbia – Vocals, Andrea Ferro – Vocals, Marco Coti Zelati – Bass, Marco ‘Maus’ Biazzi – Guitars and Ryan Blake Folden on the Drums . 

LACUNA COIL LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014LACUNA COIL LIVE @ THE OPERA HOUSE 2014 - PHOTO BY: JOANNA GLEZAKOS FOR FRIDAE TV

Lacuna Coil had a few cool looking crowns decorating the stage and once they migrated out they we’re greeted with cheers as they kicked off their well blended fifteen track set with big tune Trip The Darkness off of Dark Adrenaline. That tune was soon followed by Spellbound from Shallow Life. Vocals by Andrea Ferro were almost flawless, he gave the people what they wanted…A Performance! I noticed some technical issues with the microphones but Ferro embraced it like a champ. Cristina’s vocals were strong, she sang her heart out and the fans couldn’t get enough, especially when they played Depeche Mode cover “Enjoy The Silence” to end the set. I liked Lacuna Coil’s rendition of the song much better than the original. Maus Biazzi on the axe was beyond incredible those licks were spectacular to hear! The beat was tight thanks to stellar stick handler Ryan Blake Folden and Zelati’s Bass lines were on point.

LACUNA COIL LIVE @ THE OPERA HOUSE 2014 - PHOTO BY JOANNA GLEZAKOS FOR FRIDAETVLACUNA COIL LIVE @ THE OPERA HOUSE 2014 - PHOTO BY JOANNA GLEZAKOS FOR FRIDAETV

After I shot some photos I was watching the set from behind the soundbooth, the best view in the house! They had some fabulous lighting, still backlit but you must always work with what you have. It was fun to see the bands lighting tech enjoying the show as much as the fans, never seen a crew member so into the music. Rhythmically, he was in sync with every beat the band played and it translated on stage, now that’s passion! I loved watching and hearing the songs I’ve heard on the albums come to life.

LACUNA COIL LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014LACUNA COIL LIVE @ THE OPERA HOUSE 2014 - PHOTO BY JOANNA GLEZAKOS FOR FRIDAETV

The encore’s were a mix of old and new, first was Nothing Stands In Our Way from the current release Broken Crown Halo and the last tune the band played before lights out was Our Truth off of their album Karmacode. Huge thank you to Jon who linked it up and Lacuna Coil for having me! I enjoyed myself and will be seeing all of these bands again at some point in the future. 5 music notes out of 5 ♪♪♪♪♪ for each band, Lacuna Coil, Starset and Incura are all worth your time and support! 

INCURA LIVE @ THE OPERA HOUSE MONDAY SEPT 28TH 2014

 COPYRIGHT © 2014 FRIDAE MATTAS. All Rights Reserved

 

 

 

CANADIAN ARTISTS! YOUR BIG BREAK IS A VIDEO AWAY!

Big-Break-300x164 ENTERTAINMENT ONE & BEGIN AGAIN GIVE CANADIAN MUSICIANS THEIR BIG BREAK 

WITH A CHANCE TO WIN A MUSICAL RECORDING SESSION AND A SHOT AT A 

DISTRIBUTION DEAL WORTH UP TO $10,000.

 

TORONTO – JUNE 17 2014 – Entertainment One (eOne) and Begin Again are on the search for Canada’s top undiscovered music talent! Just steps away from their Big Break, Canadian singers and bands can upload their original works to a new YouTube contest (www.youtube.com/beginagainmovie) to be entered for a chance to win a musical recording session at Metalworks Studios and a Digital Distribution opportunity from eOne Music, the #1 independent music distributor in North America, worth up to $10,000!

Contestants must rally their friends, fans and followers to vote for their original work to avoid elimination. Only the top four artists make it through to the final round.  Canadian Recording Artist and Winner of Canadian Idol Eva Avila is joined by Eric Alper (Director of Media Relations at eOne Music and Host of ThatEricAlper’s Show on SiriusXM), Nathan Quinn (A&R and Label Acquisitions at eOne Music) and Kevin Dietz of Metalworks Studios in judging the four finalists and selecting the winning song.

image_242471_4“This inspiring film is set in NYC, and in a lot of ways, YouTube has the same huge caliber of undiscovered talent. Musicians can approach this like an open mic opportunity and do an original song to get heard by hundreds of thousands of music lovers,” explains Kai Exos, Creative Director at SPOKE and musician in his own right.

Begin Again is a soul-stirring comedy about what happens when lost souls meet and make beautiful music together. Gretta (Keira Knightley) and her long-time boyfriend Dave (Adam Levine) are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label. But the trappings of his new-found fame soon tempt Dave to stray, and a reeling, lovelorn Gretta is left on her own. Her world takes a turn for the better when Dan (Mark Ruffalo), a disgraced record-label exec, stumbles upon her performing on an East Village stage and is immediately captivated by her raw talent. From this chance encounter emerges an enchanting portrait of a mutually transformative collaboration, set to the soundtrack of a summer in New York City. 

“eOne Music Canada’s mission is to discover Canada’s next big star and showcase their stunning talent to listeners here, and around the world,” says Eric Alper, Director of Media Relations for eOne Music Canada. “We’re thrilled to be part of the Begin Again YouTube contest, so get your best song ready!”

The campaign, developed by creative agency, SPOKE, lives on YouTube and is powered by a custom YouTube contesting engine. The launch is supported by a heavy Social Media buy on YouTube, Facebook and Twitter as well as in-store POS at HMV, that forms part of eOne’s broader wide-release Media campaign, which also includes broadcast, digital, social, print, radio and Out of Home.

eOne opens Begin Again in theatres across Canada on July 11.

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Q & A WITH DOLLS!

1ssulk_new_high_res

Q&A WITH DOLLS

 

By: Fridae Mattas

 

Amidst the whirlwind of press for her new album “Secret Sulk”, Nikki of Dolls (You may know her as Nikki Awesome.) had a few minutes to catch up and share some of her life.

 

Fridae: Hello, Hello! It has been awhile since we hijacked a ballroom, how are you?

DOLLS – Nikki: OMG I almost forgot about ballroom-hijacking. I mean, nowadays they just give themselves up. It’s been a while!

 

Fridae: What has been going on in Awesome land since we last chatted a few years back?

DOLLS – Nikki:  So much.  I’ve pretty much left the ‘Nikki Awesome’ thing behind (DOLLS website launching soon, but won’t change my Facebook fan page), relocated to the UK (three grey and glorious years this summer), learned how to produce my own music, have thrown myself about traveling, meet/greeting some of my favourite artists and making ridiculous videos.  Basically, I’ve spent the last three years regaining control of my art and having FUN again after leaving the major label game, which has definitely been a good move.

 

Fridae: How was Dolls created? If you could tell the world and myself a little more background information on the history of Dolls.

DOLLS – Nikki:  DOLLS was initially an outlet for me to create music with a darker overall sound which wasn’t really compatible with The Royal Society’s.  I always listened to synth-heavy music with a dirty, raw vibe, like Nine Inch Nails, Gary Numan, Depeche Mode, and Joy Division/New Order.  I also really love some of the pop artists of the 80’s like Tears for Fears, Pet Shop Boys and Men Without Hats, all acts that had depth in their lyricism as well as wicked synth lines.  I found that many mainstream artists were not into that style when I was last living in North America. There weren’t many artists making a crossover between ‘alternative’ and ‘synthpop,’ coming from a commercial pop background (though some were crossing over the other way).  I’ve always written all my own lyrics and melodies, played guitar and keys, but I felt despite that, I was limited to one style of music by virtue of having had a hit in that genre and lacking the resources to produce music on my own.  Even though The Royal Society’s fans were wonderful and the media outlets were amazing in supporting the project, the club scene was feeling a little superficial to me.  After losing several years worth of work to a series of heavily political power plays (in case you ever wondered why there wasn’t a Royal Society album), I began learning production in order to make the music I wanted, so as not to have to take direction from people who didn’t get me as an artist.  It wasn’t the easiest transition and I probably burned some bridges, but ultimately I feel more empowered and happier doing what I want to do, and if people don’t ‘get it’ I don’t have to answer to anyone.

Fridae: Good for you! It’s seems like every artist comes to learn in their own time, that the only person who can truly relay your vision is you.

 

Fridae:  How did you come up with the new records title?

DOLLS – Nikki: It was little bit of a joke at my own expense. I felt like in writing the material for DOLLS, people saw me as being a bit of a ‘poor little bitch girl,’ biting the hand that had fed me. Because the songs were a lot more angry, less commercially friendly, and openly bitter about things that usually get hushed up. Dolls music is a total contrast to The Royal Society vibe which is all “let’s party, everything’s rad.”. I wrote so many songs over the last three years that chronicled some experiences pretty viciously, and it turned out that after incessant (often unsolicited) input from everyone else I was (un)surprisingly kind of pissed off.  Making Secret Sulk the album’s title seemed appropriate in the sense that everything I did musically and the way I did it was otherwise so atypical and ‘inappropriate’.

 

Fridae: Did you work with someone on the new album or did you create everything yourself?

DOLLS – Nikki: Millions of hours alone in my bedroom. I didn’t have any previous experience with production outside of being in-studio, so it’s been an insanely huge learning curve, which is obviously not yet complete.  The new (unreleased) stuff is a lot more refined in terms of sound quality (since I have upgraded my equipment) but it’s still DOLLS: dark cynical synth/wave with pop vocals.

1dolls_nice_high_resFridae: What separates Dolls from all the other artists trying to break the global scene?

DOLLS – Nikki: It’s no secret that the whole music industry is upside down.  Everybody’s looking to sign the prepackaged ‘next big thing,’ so I’d say it’s pretty rare to be invited in to hear the ‘flaws’ and outtakes from the onset, especially from someone who was formerly perceived as being the prepackaged ‘thing’ . DOLLS is the evolution of an artist, not the ‘delivery of a product.’  In my opinion, flaws are what resonate with people and give the audience something real to connect with.  The pitch-perfect image airbrushing that has become par for the course is not what I want to buy into or sell anymore.  Imperfections have always intrigued me; whether it was hearing a wrong note, a crack in the vocal performance – those kinds of things are so smoothed-out these days that I feel it’s tremendously different to allow fans in on a project’s development. Not just delivering a polished focus group-approved sound or image, which means releasing material that hasn’t been over-refined.  Which is unconventional in the current system.  I’ve chosen to work outside the model of recent tradition, and I will make mistakes, backtrack, change things around, have opinions that will piss people off. It’s more interesting (to me) to throw down total chaos rather than play a formulaic game, shuffling alongside everyone else, everyone crossing their fingers for a major to pick it up.  Getting signed doesn’t always benefit an artist, more often than not it just brings in a bunch of watered-down opinions on how you can best sell your music like it’s a breakfast cereal.

 

Fridae: Are you planning on hitting the road anytime soon?

DOLLS – Nikki: Definitely, but nothing’s set in stone yet.  I’ve had interest in the UK and Europe, but because I don’t have label support it’s a bigger deal to commit to touring, so I’m still working out the bugs and deciding who I want to work with for the live show.

 

Fridae: If you could work with any artist in the music world today who would you choose?

DOLLS – Nikki: Trent Reznor, David Bowie or David Lynch.  I feel like they should come as a package-deal, just so I don’t have to hurt anyone’s feelings.

 

Fridae: Are there any other projects in the works?

DOLLS – Nikki: At the moment DOLLS is pretty all-consuming and there’s some deadly business waiting in the wings, but it’s all hush-hush, innit!  I’m just releasing my first collaboration with a Canadian artist since 2010 (On Your Lips with Toronto electro artist COINS), and have been talking with another UK indie artist (Magpies and Vagabonds) about a new concept project. He also did the Dustcover Mix of NOW NOW. Both tracks are on my Bandcamp and Soundcloud accounts for free download.

 

Fridae: Whose music are you playing on repeat right now that you could not possibly live without?

DOLLS – Nikki: I really like Miike Snow, Das Racist, HURTS and Paloma Faith.  I’m pretty shit at listening to new music, so I go through phases of not knowing about anything new and just snuggling into old faves, followed by frenzied accumulation of Spotify playlists.  I feel like not buying physical copies of albums combined with being so obsessive about learning production has changed the way I consume music; it’s like the line in Amadeus, about how sometimes there are just too many notes. When I (n)ever have spare time, I prefer to see plays, go to galleries, read.. Whatevs.

 

Fridae: Words of wisdom for aspiring artists….?

DOLLS – Nikki: Probably not to take anyone’s advice.  Nobody else knows how to develop your art better, and letting them try, almost invariably leaves you disappointed or risking relationships to maintain the integrity of your ideas.

 

Fridae: Where can people find your music?

DOLLS – Nikki:  DOLLS’ Secret Sulk is available for free on my Soundcloud account (http://soundcloud.com/dollsxx/sets/secret_sulk) and if people like it, it would be fantastic if they want to purchase it for whatever they think works; I’m asking for £5.00 on Bandcamp (http://dollsxx.bandcamp.com), which allows me to continue to make music and develop the project.

 

Fridae: Are there any last words you would like to share with the world?

DOLLS – Nikki:  “She probably had it coming.”

Fridae: LOL!! Thank you so much Mizz Nikki Dolls!

 

www.DOLLSXX.com

www.twitter.com/DOLLSXX

COPYRIGHT © 2013 FRIDAE MATTAS. All Rights Reserved

1DOLLSGANGSIGNS_HIRES_2

 

DEADMAU5 SET TO RELEASE NEW ALBUM SEPTEMBER 25TH!

NEW ALBUM ‘> album title goes here <’

SET FOR RELEASE SEPTEMBER 25

PREORDER BEGINS AUGUST 14

NEW SINGLE “PROFESSIONAL GRIEFERS”

FEATURING GERARD WAY

OUT AUGUST 14

The world of deadmau5—the world-renowned electronic artist—is always fast and furious. He recently overhauled his studio in his Toronto hometown and following his full-scale European tour this past spring, he locked himself in and went on a creative spree to finish > album title goes here <, his new album due out September 25 (Ultra Music).

Following his performance with the Foo Fighters at the Grammy Awards earlier this year showcasing his stellar remix of the group’s “Rope,” deadmau5 continues his collaborations in the rock world by enlisting the vocal talents of Gerard Way, lead singer of My Chemical Romance for his new single “Professional Griefers.” Out on August 14 on Ultra Music in North America, the single sits on the tougher end of deadmau5’s productions and already leading rock stations such as Los AngelesKROQ, Live 105 in San Francisco, KNDD in Seattle and SiriusXM’s Alt Nation have been lending early support.

Fans first got to experience “Professional Griefers” as an unreleased instrumental track during deadmau5’s North American Meowingtons Hax tour last year, premiering the track at his critically acclaimed headlining performance at Lollapalooza.  Now “Professional Griefers”–which kicks off with stomping beats and heavily distorted guitar stabs, then builds tension with discordant synth strikes leading into the chorus–features vocals from one of the most distinctive voices in rock.  Look for its accompanying video, featuring both deadmau5 and Gerard Way and created by Dave Stewart’s Weapons of Mass Entertainment production company, to emerge this month (exact date TBA).

All the tracks on > album title goes here < are deadmau5 original productions.  They include collaborations with “Animal Rights” co-producer Wolfgang Gartner (“Channel 42”); vocalists Imogen Heap (“Telemiscommunications”) and Chris James (“The Veldt,” the critically acclaimed track inspired by the Ray Bradbury short story); and legendary hip-hop outfit Cypress Hill (“Failbait”).   There are also new pieces like the Close Encounters of the Third Kind classic film-inspired “Closer,” the dance floor burner “There might be coffee” and electronica piece “Sleepless.”  Like “Fn Pig” and “October,” many of these tracks have been available on deadmau5’s SoundCloud as rough edits. For > album title goes here < they come together as finished songs in the format the way he intends them to be heard by his fans.

deadmau5 just headlined the VELD Music Festival in Toronto this past weekend.  His next North American major performance is confirmed for Saturday, September 22 in Las Vegas for the iHeartRadio Music Festival.

The complete track listing for deadmau5’s > album title goes here < is:

  1. Superliminal
  2. deadmau5 & Wolfgang Gartner – Channel 42
  3. The Veldt (featuring Chris James)
  4. Fn Pig 
  5. Professional Griefers (featuring Gerard Way)
  6. maths
  7. There might be coffee
  8. Take care of the proper paperwork
  9. Closer
  10. October
  11. Sleepless
  12. Failbait (featuring Cypress Hill)
  13. Telemiscommunications (featuring Imogen Heap)

> album title goes here < is available on August 14 for pre-order at www.itunes.com/deadmau5.

 

About deadmau5

Joel Zimmerman, more commonly known as deadmau5 (pronounced ‘dead mouse’), is one of the world’s most respected electronic music producers of modern times. Enjoying international chart success with his singles “Sofi Needs A Ladder,” “Ghosts ‘n’ Stuff” and “I Remember,” he has also released three critically acclaimed albums: 4×4=12, For Lack Of A Better Name and Random Album Title, with a fourth album, > album title goes here <, due out September 25, 2012. The multiple JUNO Award-winning and Grammy®-nominated artist performed at the 54th Annual GRAMMY Awards as part of its first ever telecast performance highlighting electronic music. His ability to push the boundaries of his talent grows at an equal rate to his fan base, which counts over 6.5 million on his Facebook page. A major touring act, he has headlined Lollapalooza, Outside Lands, Sonar, Virgin Mobile FreeFest, Ultra Music Festival and Electric Daisy Carnival, and sold out Rogers Centre in Toronto and PETCO Park in San Diego, as well as multiple consecutive nights at legendary venues like the Roseland Ballroom in NYC and the Palladium in Los Angeles.  He recently appeared on the cover of Rolling Stone, marking him as the first EDM artist to do so.

www.deadmau5.com

www.facebook.com/deadmau5

www.twitter.com/deadmau5

www.deadmau5.tumblr.com

 

www.ultramusic.com