VISUAL FEATURE EDITORIAL #1
INTERACTIVE VIDEO RELEASE WITH
AND LOST CAUSE
All Photography By: Joanna Glezakos
By: Fridae Mattas
Winter sucks, especially here in Ontario where you can get all types of precipitation in one day. The worst is when you get sick like I did. Caught this weird virus that I thought was just a regular cold until it warped into a crazy one. Never in my life have I experienced something like this, along with all the typical symptoms my skin hurt and my hands would go numb to the point where I couldn’t even press buttons on my android. After nearly two weeks I’m finally back at full health, the photos from the first show of the new year Thursday January 8th, turned out alright. I hoped for better but with the ghetto lighting for the first two bands I did okay. Strobes look cool but are not fun to shoot in, nor is red lighting. At least the headliners had wicked lighting, they were the best shots of the night hands down!
This show was a bittersweet experience for me personally, it was the first of 2015 but the last show I will ever cover and see at the Kool Haus. For over thirty years with a few incarnations The Guvernment Entertainment Complex has been a mecca for entertainment in Toronto. It is globally known as one of the largest and longest running clubs in Canada. The complex houses a number of venues like The Kool Haus, Skybar, Chroma (means colour in Greek) aka “The Orange Room” where Deadmaus and quite a few other DJ’s got their start. Many international artists have graced the stage at the well known live venue, The Kool Haus formerly “The Warehouse” and “RPM”. Sadly on the 31st of January after 18 years of music, dancing and mayhem, the massive complex will be closing its doors for good. The Guvernment was the first club I went to as an underage youth exploring the club scene, always had a fantastic time! I believe my father even bounced their doors at some point during the glory days in the nineties.
My siblings and I saw and met many artists like “Nsync”, “Pink”, “Evanescence” and so many more at the Kool Haus. As I got older before the journalist days, I did background work in many films shot at the venue, attended exclusive events, sales, parties, raves, had many backstage wanderings and got lost a few times in the maze of rooms, the Guv is always a fun place to explore. Once upon a time at the Kool Haus I left my backpack with “friends”, who didn’t want to leave the general admission line to actually meet the band. We skipped school to see the band, might as well make the best of it right? When I returned from hanging with the band to grab my backpack, I noticed that some teenie robbed the drawings from inside my bag! Days and nights, hours and hours of sketching and painting gone. Fuming, yet at the same time flattered that my artwork was awesome enough to swipe. To this day I still wonder, why on earth would anyone want to steal Sailor Moon and random school drawings in the first place? Good thing I wasn’t stupid enough to leave my purse because I never saw my artwork again! After all of that drama, at least I chilled with the band before and after the show.
The Guvernment has been for many Torontonians a crutch, it would always be there in our minds. But, as the unnecessary condo communities grow, our music culture in Toronto is being demolished, one venue at a time. Out of all of my adventure spots, I will definitely miss this place the most! Even more so than when the Big Bop complex closed it’s doors. Okay, enough depressing jibbers of what is eminent, let’s get to the music. First up on stage was “The Butcher Babies“, these gorgeous ladies and lads were the whole reason I chose this show as the first of 2015! Major thanks to their team for hooking a girl up! Having heard so many good things about The Butcher Babies, I had to see them live for myself. The minute I wandered into the pit the lights dimmed and the band hit the stage, I made it just in time! Tried as fast as I could to find the best non flash settings in my camera for the lighting, we only had three songs. Right out the gate they embraced the stage with vibrance and charisma, Heidi and Carla did an amazing job entertaining the crowd! The ladies went right up in there, singing from the barricades almost in the crowd. At times the crowd looked like they were going to swallow front woman Heidi Shepherd but security had her back. The mostly male audience was getting wild, I’m glad that I didn’t see any inappropriate groping of these fearless females…Then again, I wasn’t in the pit for the whole set.
During the last show of 2014, I felt like a fun-sized Fridae trying to film behind this WNBA sized femme who was in front of me for the entire set. This time, it was I who felt like Andre the Giant’s daughter when Vox – Carla Harvey ran past me to get back on the stage, she is so tiny! They kicked off their eight track set with intro “The George Takei song” followed by “I Smell A Massacre” and continued to rock out with their blend of New school metal. The sound was the best of the night and the crowd was having a fantastic time, especially when they rocked their big tunes “Mr. Slowdeath” and “Magnolia Blvd”. If you get the chance to see California’s Butcher Babies, go for it! I could actually understand what they we’re singing! Diction is the most common issue for metal bands live but these femmes had it on lock! Bassist Jason Klein and Guitarist Henry Flury used the stage and kept the music on point! The beats were always tight thanks to stick handler Chris Warner. Throughly impressed with The Butcher Babies, looking forward to covering them again in the future.
Hatebreed has always been one of those elusive bands I always missed at festivals and finally had the chance to shoot and absorb a set. Their lighting was the worst of the night and it shows in my shots, everyone was drowning in red lighting! At least the band sounded good, that was the last thing I needed, a shitty metal band in my ears for the next forty-five minutes or so! Thankfully that was not the problem with Hatebreed, surprisingly I enjoyed their fourteen track set very much. The crowd was singing along to the mix of old and new tracks played in the fourteen track set.
They rocked tunes like “This Is Now”, “Live For This”, “Doomsayer” and a few more of the classics…Not a big fan of the band, but am familiar with a few tunes thanks to an almost boyfriend. Hatebreed is one of those bands that has changed up members a few times. The current line up is: Jamey Jasta – Vox, Chris Beattie – Bass, Wayne Lozinak – Guitar, Matt Byrne – Drums and Frank Novinec – Guitar. The lighting was too boo and it was getting harder to shoot the band. The bodies were starting to fly more often and all the photographers who missed the Butcher Babies were trying to make up for it. Would I see Hatebreed again? Yes, would love to! They could use some more energy and crowd interaction but they held their own, that’s for sure!
The last band of the night was Black Label Society who I thought would never hit the stage. How long does it take to put up a curtain? Apparently, half an hour and six stage hands! Oh and let’s not forget they wouldn’t let us into the pit until after the curtain dropped and was put away…That took what felt like an hour and a half, we only had three songs. Due to the delay in rotation at this event, I could only reach one of the other two scheduled for that night. My phone was dying, so I plugged it into the smartest thing I bought this year thus far, a portable phone charger for $14.99 from The Source! Just as I pulled the battery from my phone, the band began to play and the curtain dropped, we finally were able to enter the media pit.
The set intro was “Whole Lotta Sabbath” followed by “The Beginning…At Last” which could not have been more ironic. As for vocals, the mic stand with a bunch of skulls was cool, but I couldn’t hear shit in the pit. I focused on the only instrument I could hear, the Lead Guitar. The sound of a seasoned guitarists fluid skills unfolding, is always a treat for my ears. Honestly, it did not matter that I couldn’t hear any vox at this point, my ears were too busy enjoying Zakk Wylde’s intoxicating electric axemastery. I’ve seen Black Label Society briefly once before, but only caught the last few songs of the set. The band has had a few member changes but two originals remain, founder Zakk Wylde – Piano/Vox/Lead Axe/Rhythm Guitar and Bassist/Backup Vox – John DeServio. The other members in the band are newbies Dario Lorina – Rhythm Guitar/Backup Vox and Jeff Fabb who was destroying that dragon skull drum kit.
It was awesome to see Wylde use different guitars for every song, especially the one that was stolen last year and found a few days after. The whole band was fun to watch because they were all feeling the music. My favorite of the night was, Bassist DeServio who was flying all over the stage, entertaining the crowd as some were flying into the pit. Security kept tapping us on our shoulder, which is the standard heads up for the incoming surfers. Didn’t have a chance to run away from the line of fire a few times and was smushed against the stage, as security pulled out crowd surfers. The lighting was perfect for this set, my camera loved shooting in these lights but as usual was being a diva with the reds. After the three media tunes I left the venue to hop in a cab and reach my next destination. Just as I wandered out the venue my friend called to tell me he was twenty minutes away. So I rewinded back inside to see a few tunes until my friend arrived.
Wandered back in the venue at the end of “Suicide Messiah” and new tune “My Dying Time” was played next. The crowd was even more into the show as it progressed, singing along to pretty much every tune played. A mix of hits with many from the latest record “Catacombs of the Black Vatican”. It was good to actually hear the vocals from the back of the venue, always the go to spot for the best sound.
In the end I actually got to watch and see most of the set but had to leave in the middle of “Angel Of Mercy” which sounded so good! Did not want to go just yet but I had other places to be, definitely need to watch a full set from Black Label Society in the near future. You should check them out, especially if you like hearing amazing guitar being played, Wylde’s guitar solo was epic. The newbs Lorina and Fabb killed it, they add more character and chemistry to the band. Thank you to everyone who helped make this first show of 2015 an unforgettable one! That includes the couple who were fighting before the BLS set and eventually escorted out of the Kool Haus by security. Adios Kool Haus, we had some amazing times! Will always be one of my favorite places to shoot incredible talent! Now this fabulously dangerous 18 year escapade is coming to an end. The memories will always be, but there will never be another venue like the Guvernment Entertainment Complex. You will be missed!
All Photography by: Joanna Glezakos
By: Fridae Mattas
Indie week 2014 happened back in October notice the visual editorials already published. This chick is not one to give up easy, had some tech issues that were solved and then a big project landed on my lap from one of my international clients. These past few months too many job offers and have been turning down almost everyone, dedicating my focus on my record and the new FridaeTV 2.0. Enough with the excuses right? Here we go, the rest of this jibber is all “aboot” the bands haha! Normally, I filter the bands for quality, however, due to tech issues some of the bands were not recovered. We can thank the universe for filtering the bands this time…Still, I would have liked the option to choose them myself. Thankfully the FridaeTV visual team shot a few bands I wanted to tell you about.
It was good to see familiar faces I haven’t seen in a while including a few Montreal & American friends. Ya’ll are too fantastik! Wish I caught more bands and saw more amazing people I didn’t get a chance to hang with! Festivals are a multiple venue migration for the media. We have to work during and after, people don’t realize editing and writing are the most time consuming and least favorite aspects of multimedia. Okay, let’s get with the program! British band New City Kings were the first band I caught at Indie Week 2014, it was not the first time I have seen them and it sure as hell won’t be the last! They put on such a vibrant performance, always genuine and not forced as it is with some bands I have observed. The passion is missing in today’s music, the majors are dying out and more than ever focused on selling product, not art. New City Kings definitely feel their music and everyone needs to check them out! Enjoy a few shots thanks to FridaeTV photographer Joanna and a tune I filmed below.
Next up was last year’s Indie Week Canada winners, Toronto’s Sumo Cyco. They hit the stage at the Hideout after New City Kings for the opening night launch party. For a while now I’ve wanted to see this band live, when they rocked indie week last year I always missed the bands set but finally mission accomplished. The band is a new school metal punk blend, vocals are different and much more aggressive than most are use to from former Canadian poptart “Skye Sweetnam” who fronts the group. It is rare to find female fronted bands that kick ass, Skye did a pretty fantastik job holding down the boys and putting on a show for people to talk about. I remember my photographer Joanna commenting on seeing Sweetnam before but this suited her much better, I agree!! Go see “Sumo Cyco” if you get the chance!
The next few that survived the Universe’s cuts were rocking the Hard Rock Cafe on Friday October 17th! First up was Laugh At The Fakes a local band who I had yet to see live, of course I was running late thanks to the always delayed subway. Hoping to catch at least one song, when I arrived at the venue I was praying they were still on stage and they were. Managed to catch the last few tunes, which were surprisingly well done. A little more confidence is needed from vox and guitarist Everett Mason, he has the skills, just needs to overcome the nerves because the guitar he was rocking sounded amazing and the vocals have extreme potential. Always trust your talents, they will guide you and all you need to do is believe in yourself as you refine them! Laugh At The Fakes has a bright future ahead of them and everyone should go see a set to see what I’m talking about.
The headliner at the Hard Rock Indie Week Metal showcase was no stranger to the stage, former Iron Maiden frontman Blaze Bailey rocked out with his band. It was interesting to observe his interaction with the fans, they were a bit aggressive and so into it. I’m surprised a mosh pit wasn’t formed, then again they were too busy trying to touch Bailey like teenies do for their favorite artist, fanboys! Bailey’s vocals are unique yet he is the epitome of old school metal, clearly there is a reason he fronted Iron Maiden. The band was crisp, professional and entertaining but the crowd just focused on Blaze Bailey. Once I got the best shots I could in the always horrible hard rock lighting, I migrated to safety at the back watching the enthusiasm of the performer and the crowd. It was a cool set, if you love metal and get the chance, go see for yourself.
The last few bands I managed to recover we’re The Rathburns and Dick Rodan at the Virgin Mobile MOD club for the best of the fest, the Indie Week finals! Was not able to recover many photos of Dick Rodan but for a country band they did pretty well! The crowd was loving them and it was obvious who the Dick fans were…They kept chanting “We want Dick! We want Dick!” as the band was setting up their gear, yes it sounded funnier than it’s read. They put on a very high energy performance thanks to their super drunk guitarist jumping and playing in the crowd giving people a set to remember.
Soon after Dick, The Rathburns hit the stage, did not recover any of the videos from this night just a few photos that I shot. Thankfully photog Kenny caught them the night before at the Hideout and got more photos. I want everyone to remember the Rathburns because one day they’re going to be huge. Vocals need a little work and the rest of the band needs to step up a bit but frontwoman Frances Rose does a spectacular job embodying her music. She has a special energy and can take this band to the next level with a bit more polishing. Check every single band mentioned and covered in this four part Indie Week series. The only issues other than the 500 wristbands was that my photographer had trouble returning to a venue after brief migration to shoot the bands she was required. All festivals have this same issue when it comes to media at festivals, we must have access to get the most coverage possible. Until next year my friends keep it rocking and who knows maybe I’ll hit up Indie Week Europe in Manchester!
All Photography by: Kenny Godinho
Edited By: Fridae Mattas
By: Fridae Mattas
Toronto’s female fronted punk rockers Die Mannequin released their third studio album Neon Zero today! They will be celebrating tonight at Cherry Colas where Tony and Care will be spinning their favorite tracks off of the new record. Since receiving this album back in August, I have been listening to it every chance possible and I’m so glad I did! Opening track “Welcome To The Badlands” sets the tone for this musical journey, collectively modern yet retro with an anthemic feel. Their strong first single “Sucker Punch” was an instant ear pleaser, if you haven’t heard it yet I suggest you take a listen and don’t forget to get your copy of Neon Zero. There were a few songs on this record like “Blood In Blood Out” and “Pretty Persuasion” that I skipped at first listen. Had I not absorbed the records tunes entirely, they wouldn’t have grown on me as they have. Now, “Pretty Persuasion” is one of my favourites, I love the sound of the guitar riffs, they give the track this haunted vibe my ears are drawn to. “Murder On the Dancefloor” is another catchy tune that is worth a listen, compared to their previous records this is the most radio friendly I have heard DM. Quite surprised to tell you the truth but it turned out to be a pretty fucking fantastic surprise!
They have created a vibe that reminds you of 80’s music with a slice of Hip Hop, 90’s, Punk, Grunge and Dance. You can hear all of those influences in there. One track in particular “Girls At the Mall”, reminds me so much of Veruca Salt’s “Volcano Girls” with a little Nirvana to end the track. Very impressed with vocals, major props go out to Care for showcasing her vocal versatility, keep up the amazing work! The band sounded tight, the quality of sound in the production of each sonata is crisp and proper, no ghetto recordings here. “Prettier lips tell prettier lies” from the last tune, “Outta Time” on this eleven track musical adventure is one of my favourite lyrics. I also loved the randomness at the end of the fast paced “Ka-Ching” with the bonus. There are a few tunes like “I’m Just A Girl” that I just couldn’t get into. I tried, and I commend vocals, but the tune itself was a little too Avril Lavignesque for my ears to handle. Neon Zero is worth many listens, from the first time I saw Die Mannequin rock out at the Horseshoe to this album here in 2014 they have come a very long way and I’m liking this new direction. The nicest people you’ll ever encounter, and so beyond talented! Die Mannequin is; Care Failure – Vocals/Guitar, Anthony Bleed – Bass/Backing vocals, Stacy Stray – Guitar/Backing vocals and Dazzer Scott on the Drums. NEON ZERO is an essential listening need! Everyone needs to buy this record and support these great Canadian talents, Die Mannequin’s Neon Zero gets 4 music notes ♪♪♪♪♪ out of 5!